an online exhibition of curated art-science works featuring scientists who produce art and artists inspired by science
cu·ra·tor
noun
a person who selects the artists and theme of the exhibition
For Gustavo Arróniz, art was an inescapable part of life from the moment he was born. With a gallerist mother who founded Arróniz Prints in the 70s, he grew up surrounded by art and artists. Gustavo’s studies in international commerce and curatorial studies led him to found Arróniz Arte Contemporáneo, through which he collaborates with a new generation of artists from Mexico and Latin America through exhibitions, site-specific commissions, and partnerships with international galleries and art fairs. He is also a partner in Arróniz Prints, specializing in limited edition fine art prints and the only member of International Fine Print Dealers Association (IFPDA) in Latin America. After many years of close collaboration with Standard Arts and a shared passion for bridging art and architecture, he joined the team to participate in its curatorial direction and lead the firm’s ongoing Latin American projects.
gustavo@arroniz-arte.com
Originally from Shanghai, Jia found her home and career in NYC and Mexico City. Jia’s interest in art began as a childhood drawing hobby and carried through to her curatorial capacity today. She spent a decade working within art, architecture, and real estate before co-founding Standard Arts, through which she builds conversations among those elements. Jia leads the creative and curatorial efforts of Standard Arts, where her work is informed by her travel and beyond-the-beaten-path exploration of different cultures. By analyzing the way we interact with space and each other, her curatorial efforts impart a distinct authenticity to every project. In addition to her curatorial work, Jia is developing a theory of connection between scent, sight, and sound. As a hobby, she studies conceptual photography through the lens of philosophy and literature.
jia@standard-arts.com
ar·chi·tect
noun
a person who designs the form, look, or workings of the exhibition
en·gi·neer
noun
a person who plans and builds the infrastructure of the exhibition
Allexxus Farley-Thomas is a recent graduate of the Master of Architecture program at Cornell University. Her degree work in architecture has cultivated a parallel interest in both art and science, examining the importance of sustainability and technology in the built environment.
Allexxus joined at the inception of AwE as design lead. Her contributions to the organization’s development include the design of the logo, all features of the website, promotional materials and the digital galleries of the anthroARTcene. Through close collaboration with the developers and content coordinator, the website reflects the value of interdisciplinary work that is at the heart of Artists with Evidence.
Collin Montag is a founding engineer at Lume, a technology startup helping companies automate data mapping with AI. Prior to Lume, he worked at Google on the Cloud Pub/Sub team, building large-scale distributed systems and data streaming infrastructure. He also serves as a program mentor for Justice Through Code, a program run through Columbia University to educate and nurture talent amongst those with conviction histories. He holds a Master of Engineering and B.S. in Computer Science from Cornell University. His degree work included research on Risk Assessment Instruments in the American criminal justice system and on CORFU shared logging in distributed applications. He is passionate about fostering interdisciplinary work within the tech space and wants to encourage more sustainable and socially responsible technology.
As AwE’s former technical lead, Collin oversaw the AwE website and its web development team. Having built and launched the first iteration of the site, he now advises its web infrastructure and guides new feature development.
Tracy Lihui Zhang is an undergraduate student at Cornell University majoring in Biochemistry and Philosophy.
As a frontend developer, she worked collaboratively with the development team to implement and contribute to design conceptions for this interdisciplinary organization. Melding science, sustainability, and technology together, Artists with Evidence has been an applicative way for Tracy to strive for a sustainable future.
Nadal is descended from generations of a wine-making family from the south of France dating to the 1800s. She grew up watching her grandfather seed clouds during July, the first month of summer in Perpignan, when hail is common. Without manipulation of the weather, the vineyards could experience devastating damage.
Nadal, fascinated by this human need to control nature, invented the Factory of The Vaporous No. 1 to intrigue viewers with this multifaceted issue. Throughout her journeys, she uses the Factory to capture particles of clouds and electric residues of thunderstorms, which she then reduces to extracts.
Esparza, through research, storytelling, and the invention of La Planta Nómada (The Nomadic Plant), tackles this important and urgent issue with a robotic system, an organic plant species, and a set of microbial and photovoltaic fuel cells.
This autonomous bio-robotic species possesses a metabolic cycle that can repair, on a small scale, some of the ecological damage to its surroundings by recuperating the energy that it takes from the earth. Upon encountering contaminated water, La Planta Nómada sucks it up and stores it in microbial cells, where bacteria and autochthonous microorganisms biodegrade the organic waste and break down toxic substances.
The Factory of the Vaporous No. 1
Made from recycled materials of an old alcohol distillery, the Factory is a portable laboratory composed of a system of air extraction and surrounding water, a set of instruments to separate air and water of their chemical and inorganic components, and a series of tools that allow her to measure, restart, and mix these components to produce pure essence of cloud and synthetic thunderstorm.
La Planta Nómada
Meanwhile, in Mexico, at least 70% of rivers, lakes, and aquifers are contaminated. Every year, millions of cubic meters of wastewater are discharged into bodies of water. There is no effective regulation regarding the monitoring of water quality in Mexico or the installation of sufficient treatment plants. The problem is creating an increasingly negative impact on the health of ecosystems and human populations.
This process generates electricity, which is stored and used to charge a set of batteries. The biodegradation process improves the quality of the water. La Planta Nómada lives in environments that have been affected by water contamination, primarily in areas of ecological disaster caused by industry and the waste products of large urban centers.